Selected Bibliography on adaptation

Andrew, D. (1980) ‘The Well-Worn Muse: Adaptation in Film History and Theory’, in S. M. Conger and J. R. Welsch (eds.) Narrative Strategies: Original Essays in Film and Prose Fic­tion. Macomb, Ill.: Western Illinois University Press, 9-17. Repr. in D. Andrew (1984) Concepts in Film Theory. Oxford: Oxford University Press; in L. Braudy and M. Cohen (eds.) (1999 (1974)) Film Theory and Criticism: Introductory Read­ings. Oxford: Oxford University Press, 452-60; and in J. Naremore (ed.) (2000) Film Adaptation. London: Athlone, 28-37.

—— (1993) ‘The Unauthorized Auteur Today’, in J. Collins et al. (eds.) Film Theory Goes to the Movies. New York and Lon­don: Routledge, 77-85.

Astruc, A. (1999 (1948)) ‘The Birth of a New Avant Garde: La Caméra-Stylo’, in T. Corrigan, Film and Literature: An Intro­duction and a Reader. Upper Saddle River, N. J.: Prentice-Hall, 158-62.

Barthes, R. (1988 (1968)) ‘The Death of the Author’, in D. Lodge (ed.) Modern Criticism and Theory: A Reader. London and New York: Longman, 167-72.

Bassnett, S. (2002 (1980)) Translation Studies. London and New York: Routledge.

Bazin, A. (1967a (1958)) ‘In Defense of Mixed Cinema’, in H. Grady (ed. and trans.) What is Cinema?, vol. 1. Berkeley and Los Angeles: University of California Press, 53-75.

—— (1967b (1951)) ‘Theater and Cinema’, in H. Grady (ed. and

trans.) What is Cinema?, vol. 1. Berkeley and Los Angeles:

University of California Press, 76-124. —— (1981 (1957)) ‘La politique des auteurs’ [extract], in J. Caughie

(ed.) Theories of Authorship. London and New York:

Routledge, 44-6. —— (2000 (1948)) ‘Adaptation, or the Cinema as Digest’, in J.

Naremore (ed.) Film Adaptation. London: Athlone, 19-27. Beja, M. (1979) Film and Literature. New York and London: Long­man. Belsey, C. (1980) Critical Practice. London and New York:

Routledge. Benjamin, W. (1968 (1936)) Illuminations. New York: Harcourt,

Brace & World. Bluestone, G. (1957) Novels into Film: The Metamorphosis of Fiction

into Cinema. Baltimore: Johns Hopkins University Press. Boyum, J. G. (1985) Double Exposure: Fiction into Film. New York:

Universe Books. Buscombe, E. (1981 (1973)) ‘Ideas of Authorship’, in J. Caughie (ed.)

Theories of Authorship. London and New York: Routledge,

22-34. Cardwell, S. (2002) Adaptation Revisited: Television and the Classic

Novel. Manchester: Manchester University Press. Cartmell, D. (1999) ‘Text to Screen: Introduction’, in D. Cartmell and

I. Whelehan (eds.) Adaptations: From Text to Screen, Screen

to Text. London and New York: Routledge, 23-8. Cattrysse, P. (1992a) Pour une théorie de l’adaptation filmique: Le film noir Américain. Frankfurt am Main: Peter Lang. —— (1992b) ‘Film (Adaptation) as Translation: Some Methodologi­cal Proposals’, Target: International Journal of Translation

Studies 4 (1), 53-70. Cohen, K. (1979) Film and Fiction: The Dynamics of Exchange. New

Haven and London: Yale University Press. Corrigan, T. (1991) A Cinema Without Walls: Movies and Culture

after Vietnam. New Brunswick: Rutgers University Press. —— (1999) Film and Literature: An Introduction and a Reader.

Upper Saddle River, N. J.: Prentice-Hall. Eisenstein, S. (1999 (1944)) ‘Dickens, Griffith, and the Film Today’,

in T. Corrigan Film and Literature: An Introduction and a

Reader. Upper Saddle River, N. J.: Prentice-Hall, 135-47.

Elliott, K. (2003) Rethinking the Novel/Film Debate. Cambridge: Cambridge University Press.

Ellis, J. (1982) ‘The Literary Adaptation: An Introduction’, Screen 23 (1), 3-5.

Foucault, M. (1986 (1969)) ‘What is an Author’, in P. Rabinow (ed.) The Foucault Reader. Harmondsworth: Penguin, 101-20.

Hodgdon, B. (2002) ‘From the Editor’, Shakespeare Quarterly 53 (2), iii-x.

Jauss, H. R. (1982) Toward an Aesthetic of Reception. Trans. T. Bahti. Intr. P. de Man. Brighton: Harvester.

Jameson, F. (1991 (1984)) ‘The Cultural Logic of Late Capitalism’, in F. Jameson Postmodernism, or, the Cultuiral Logic of Late Capitalism. London and New York: Verso, 1-54.

Lehmann, C. (2001) Shakespeare Remains: Theater to Film, Early Modern to Postmodern. Ithaca and London: Cornell Univer­sity Press.

McFarlane, B. (1996) Novel to Film: An Introduction to the Theory of Adaptation. Oxford: Clarendon.

Marsden, J. I. (1995) The Re-Imagined Text: Shakespeare, Adapta­tion, and Eighteenth-Century Literary Theory. Lexington: The University Press of Kentucky.

Naremore, J. (1990) ‘Authorship and the Cultural Politics of Film Criticism’, Film Quarterly 44 (1), 14-22.

—— (2000) ‘Introduction: Film and the Reign of Adaptation’, in J. Naremore (ed.) Film Adaptation. London: Athlone, 1-16.

Orr, C. (1984) ‘The Discourse on Adaptation: A Review’, Wide Angle 6 (2), 72-6.

Ray, R. B. (2000) ‘The Field of “Literature and Film”’, in J. Naremore (ed.) Film Adaptation. London: Athlone, 38-53.

Rothwell, K. S. (2004 (1999)) A History of Shakespeare on Screen. Cambridge: Cambridge University Press.

Sheen, E. (2000) ‘Introduction’, in R. Giddings and E. Sheen (eds.) The Classic Novel: From Page to Screen. Manchester: Man­chester University Press, 1-13.

Stam, R. (2000) ‘Beyond Fidelity: The Dialogics of Adaptation’, in J. Naremore (ed.) Film Adaptation. London: Athlone, 54-76.

—— (2005a) Literature through Film: Realism, Magic, and the Art of Adaptation. Oxford: Blackwell.